Casa 0101, Inc.
Los Angeles, CA
Notice: Audition Call Type: EPA
AUDITION DATE
Tuesday, July 15, 2025
1:00 PM - 9:00 PM (P)
Break 5:00 PM - 6:00 PM
CONTRACT
SPT
$380.16 weekly minimum (SPT 1)
SEEKING
Equity actors for roles in FENANDOMANIA (See breakdown).
This is a 10-minute play festival.
Actors may be considered for more than one of these 10-minute plays.
Local Los Angeles area actors are encouraged to audition.
PREPARATION
Please prepare one classic and one contemporary monologue, each 1 to 2 minutes long. You may be asked to do cold readings from the script in the audition room. Also, please bring your headshot and resume.
LOCATION
Casa 0101 (2102 E 1st)
2102 E 1st St
Los Angeles, CA 90033
PERSONNEL
Producer/Theatre Company: Emmanuel Deleage/Casa 0101 Theater
Artistic Director: Josefina Lopez
Expected to attend:
Emmanuel Deleage (Director)
Carmelita Maldonado (Director)
Karla Ojeda (Director)
Vilma Villela (Director)
Rigo Tejeda (Stage Manager)
OTHER DATES
Rehearsal Date(s): July 21, 2025, to August 28, 2025
Opening Date(s): August 29, 2025
Closing Date(s): September 21, 2025
Performances: Fridays and Saturdays at 8pm, Sundays at 3pm
OTHER
Venue: Casa 0101 Theater, 2102 E. First Street, Los Angeles, CA 90033
EPA Procedures are in effect for this audition.
An Equity Monitor will be provided.
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.
Always bring your Equity Membership card to auditions.
BREAKDOWN
FERNANDOMANIA
BLUE DAY
SYNOPSIS: BLUE DAY, by Chris Banda — As four siblings sift through what they think is their late father’s neglected possessions — they unexpectedly uncover a long-buried memory that sparks a journey of healing and connection among them.
SEEKING:
[Pilar] – Late 40s, Female. A vibrant Mexican-American woman and the youngest sibling. With her hopeful demeanor and spirited nature, she acts as the emotional blanket that wraps around her family, offering warmth and support in times of need.
[Miguel] – Late 40s, Male. A lively Mexican-American man and the youngest brother. Possessing a sharp wit, he has a knack for filling the room with laughter and joy, lightening the mood with his playful banter and clever jokes.
[Viviana] – Early 50s, Female. The older sister within the family. Grounded and pragmatic, she serves as the steadfast guardian, ensuring that while Pilar may provide warmth, everyone is carefully and thoughtfully covered in love and understanding.
[Poncho] – Early 50s, Male. The oldest sibling. Embodies a sense of distance that feels palpable at family gatherings. He represents the empty chair at the dinner table, a poignant reminder of the emotional void that lingers in the family dynamics.
A GOOD HERO/UN BUEN HEROE
SYNOPSIS: A GOOD HERO/UN BUEN HEROE, by Celina Martinez — A daughter calls back her deceased father to relive the joy of watching Fernando Valenzuela pitch.
SEEKING:
[Felicia Marquez] - 40-50s, Female. A leftist college professor who teaches ethnic studies. She is dealing with a chronic illness and insomnia. She is fun-loving when she is not chronically sleep deprived. A good salsa dancer.
[Juan Marquez] - 70s, Male. FELICIA’s deceased Cuban father. Very loud and boisterous, has a big belly, white hair, and speaks with a thick Cuban accent. Very Republican. Also has a fun-loving side when he’s not angry at communists. A good salsa dancer.
BEISBOL Y NOVELAS
SYNOPSIS: BEISBOL Y NOVELAS, by Ignacio Gonzalez — Jaime and his live-in Abuela clash over the only television in the house whenever his Dodgers and her Novela are on TV at the same time. Avelino, Jaime’s dad, is caught between two generations with roots in two countries. That changes when a young pitcher from Mexico brings the family – and the entire community – together.
SEEKING:
[Jaime] – 18+ to play 12, Male. A 12-year-old boy who loves baseball and the Dodgers in particular. Jaime wears a baseball cap and jersey throughout the play and carries his glove everywhere. Understands Spanish but does not speak it.
[Avelino] – Late 30s, Male. Jaime’s single dad. Curiously prophetic about how the world will be in the future.
[Abuelita Maria] – Early 60s, Female. Avelino’s Mother. Speaks Spanish and has a limited understanding of English. Sweet and caring, very Abuelita-like.
ONCE UPON A TIME IN L.A.
SYNOPSIS: ONCE UPON A TIME IN L.A., by Michael St. Onge — After the sudden loss of his father, a 10-year-old boy and his elderly grandfather — newly arrived from Mexico — embark on an unlikely journey to see Fernando Valenzuela pitch for the Dodgers. With no car, little English, and a promise left unfulfilled, the pair must find their way across Los Angeles and toward each other.
SEEKING:
[Victor] – 18+ to play 10/Adult Version Narrator, Male. After father passed away, he started spending time with his older cousins, getting in fights and tagging walls. He spends a lot of time playing dominos with his grandfather. Finding his way through life and understanding the world. Doubles as an adult version of same character while narrating parts of the story on stage. Speaks Spanish.
[Abuelito Alfonso] - 70s, Male. Victor’s grandfather. Immigrant farm worker. Fourth grade education. Worked hard to send money back home to Mexico. Plays Dominos all the time and loves listening to Dodger games in Spanish. Speaks Spanish.
[Teresa] - 40s, Female. Victor’s mother. Immigrated from Mexico. Recently widowed. Very loving mother. Never worked or drove until her husband passed away at the age of 44. Always worried and nervous.
[Poncho] - 40s, Male. Loving father. Airforce veteran. Factory worker at a small textile factory in Boyle Heights.
LA HABRA ASS FOOS
SYNOPSIS: LA HABRA ASS FOOS, by Christopher Magallanes — Gabe has changed himself to fit the Chicano stereotype. Can Johnny and Robert convince him to be true to himself?
SEEKING:
[Johnny] – Early – Mid 20s, Latino Male. Brash and reactive. He is not built for customer service. He may not spare your emotions, but he’ll keep it real with you. He stands up for those he cares about.
[Robert] - Early – Mid 20s, Latino Male. Understanding and inquisitive. The type of guy you would go to for advice and trust with your feelings. A real Benvolio-type of guy. He is very sure of himself.
[Gabe] - Early – Mid 20s, Latino Male. Passionate and happy-go-lucky. He’s a bit shy at parties, but once he gets a couple drinks in him, he won’t leave the dance floor. He’s unsure of himself and really cares for others.
NO SABO
SYNOPSIS: NO SABO, by Oscar Arguello — A child is obsessed with television and begins to reject their culture, until mother points out the similarities between Fernando Valenzuela and their family, learning a lesson about identity and making a new hero along the way.
SEEKING:
[The KID] – Adult of any age, any gender identity or expression. Solo performer, multiple roles, including their 9-year-old self in 1981 and their present-day adult self-addressing the audience. Doubles as MOM (warm and nurturing, in the spirit of Lupe Ontiveros in Real Women Have Curves), DAD (gruff and no-nonsense, reminiscent of Don Ramón from El Chavo del Ocho), and Gooch (a tough, street-smart figure with the presence of rapper Fat Joe). Strong storytelling ability and versatility in character work are essential. Speaks Spanish fluently.
SAFE AT HOME
SYNOPSIS: SAFE AT HOME, by Kimberly Huff — Girl, a fair skinned, third-generation Mexican American girl in her late forties, grappling with a sense of “difference” for looking white and not wanting to hide, communes with her late grandfather, with whom she shares a birthday, for guidance during the ICE raids, protests, the LA Dodgers silence, and National Guard occupation of Los Angeles, California.
SEEKING:
[Kathryn] – 48 - 52, Female. Third generation Mexican American. Fair skinned. Mostly English with some Spanish speaking role.
[Antonio] – 80 - 85, Male. Mexican American immigrant. Dark complexion, brown skin. English and Spanish speaking role.
[Mary] – 80 - 85, Female. Mexican American immigrant. Fair skinned, dyed blonde optional. Nonspeaking role.
NANDO
SYNOPSIS: Nando, by Gloria Briseño — Nando and Isabel are siblings who always hike up the hill of Elysian Park. Nando is Isabel’s older brother, who unfortunately passed away a year ago. Isabel is imagining what could have been another year of them chatting up in the hills. As we hear their conversation, we realize that Nando isn’t there; Isabel is imagining this conversation, coping with her grief.
SEEKING:
[Nando] - 40, Latino Male. Isabel’s older brother. Wise, teasing, and deeply loving, he encourages Isabel to embrace her anger and channel it into action. Carries the weight of regret but offers guidance with warmth and humor. Has strong emotional range and the ability to shift between playfulness and poignancy.
[Isabel] - 30, Latina Female. Fierce, funny, and vulnerable all at once. Works in theater and carries a strong awareness of social justice, particularly the displacement of Latinos in Los Angeles. Her rage and self-doubt battle with her dreams and drive to make change. Balances tenderness, righteous anger, and a powerful sense of purpose. Spanish fluency a plus.
FROM SOMEWHERE
SYNOPSIS: From Somewhere, by José Lopez — As Fernando Valenzuela rises on the mound and Jaime Jarrín’s voice drifts through a crackling AM radio, a young boy in LA clings to the hope of the game while his immigrant parents shoulder quiet battles of work and belonging.
SEEKING:
[Elena] – 30s, Female. Latina. A factory seamstress and a mother. Tough, proud, and sharper than most give her credit for. Carries herself with dignity even when the world overlooks her. There’s a quiet fire in her — she doesn’t seek the spotlight, but when she speaks, people listen. Everything she does is rooted in love for her family. Spanish fluency a plus.
[Raúl] – 30s, Male. Latino. A long-haul truck driver worn down by hard work and low pay. Gruff, sarcastic, and proud. Struggles to express vulnerability but deeply loves his family. A complex man hiding tenderness beneath tough edges. Brings depth, nuance, and emotional restraint. Spanish fluency a plus.
[Daniel] – 18+ to play 10 years old, Male. Latino. Curious, energetic, and full of heart. A big dreamer with an even bigger love for Fernando Valenzuela and baseball. Innocent but observant — he’s starting to notice the cracks in his world. The emotional center of the story; able to balance joy, vulnerability, and hope. Spanish fluency a plus.
[Fernando Valenzuela] – 20s to early 30s, Male (Non-Speaking Role). Latino. Appears through magical realism. A living legend and a symbol of pride, hope, and representation. Moves with quiet strength and intention. Doesn’t speak but communicates volumes through physical presence. Conveys charisma, humility, and poise. Baseball skills preferred.
[Jaime Jarrín] – Male Voiceover. Latino. Spanish-language radio broadcaster. Serves as the voice of Fernando’s story. Poetic, soulful, and resonant. A cultural bridge and keeper of memory. Has a strong voice with warmth, gravity, and musicality in Spanish. This is a voiceover role, but it holds spiritual weight.
OUR PLAYGROUND
SYNOPSIS: Our Playground, By Connie Valencia, Ph.D. — In a local park in East LA a friendly workout among four childhood friends takes an unexpected turn when a competitive ex-ballplayer signs them up for a baseball game, forcing a nervous Cassandra to confront her anxieties and strive for victory, all while guided by the spirit of Fernando Valenzuela.
SEEKING:
[Cassandra (Cassie/Valenzuela)] – 45, Female. Latina. Born and raised in Boyle Heights to Mexican immigrant parents. Married with two children. Thoughtful, curious, and community oriented. Loves reading, learning, and taking group exercise classes. Though not naturally competitive, she enjoys playing sports with friends. Carries a quiet strength and warmth. Spanish fluency a plus.
[Laura] – 45, Female. Latina. A single mother who moved from Los Angeles to Denver in search of a better life for her daughter. Athletic and driven — she’s played softball, tennis, and more since she was a teen. Competitive, confident, and determined. Loves oldies music. Gets frustrated when things don’t go her way but is deeply committed to her family and team. Spanish fluency a plus.
[Maria (Mari)] – 40, Female. Latina. East LA native and daughter of a single mother who immigrated from Mexico. Hardworking and entrepreneurial — she runs her own business while raising four children. Free-spirited and kind, with a deep love for family and community. Finds joy watching her kids play team sports. Spanish fluency a plus.
[Raquel (Rocky Road)] – 45, Female. Latina. Lives in Boyle Heights and is the grounded, calm mother of six. Married to a supportive, hardworking husband. Works as a hotel branch manager. Known for her patience, attention to detail, and love of family road trips. Brings steadiness and warmth to every situation. Spanish fluency a plus.
[Fernando Valenzuela] – 30 – 40s, Male. Plays himself. Spanish-only role.
FERNANDOMANIA FOREVER
SYNOPSIS: FERNANDOMANIA FOREVER, by Josefina Lopez and Robert Vargas — Muralist Robert Vargas and Playwright Josefina Lopez set out to pay tribute to Fernando Valenzuela with a mural which becomes a living altar after his passing, allowing all his fans to come pay their respect with their memories and mementos.
SEEKING:
[Josefina Lopez] – 50, Female. Mexican. A passionate writer, activist, and Artistic Director of Casa 0101 Theater. Born in Mexico, raised in Boyle Heights. Intelligent, driven, and emotionally grounded. Carries deep person cultural ties to Fernando Valenzuela. Delivers speeches with conviction and vulnerability. Spanish fluency a plus.
[Robert Vargas] – 40s, Male. Indigenous/Mexican. A celebrated muralist and lifelong Boyle Heights resident. Charismatic, soulful, and deeply connected to the community. Artistically gifted and emotionally expressive, he channels grief, memory, and pride into his work. Spanish fluency a plus.
LINDA
SYNOPSIS: LINDA, by Maria Valenzuela — Linda Valenzuela reflects on how she fell in love with a shy baseball player who went on to be one of the most successful and famous baseball players of all time.
[Linda] – 18 and 60s, Female. Latina. A woman who carries deep love, strength, and memory. At 18, she’s lively, confident, and curious — ready to follow her heart. In later years, Linda is poised, introspective, and quietly grieving the loss of her great love, Fernando Valenzuela. Transitions fluidly between youthful hope and mature reflection. Spanish fluency required.
[Fernando] – 18, Male. Latino. Sweet, shy, and humble. A future baseball legend who begins as a soft-spoken young man with a dream. Deeply sincere, he wears his heart openly and connects powerfully despite few words. Embodies quiet strength and vulnerability. Fluent in Spanish.
[Reporter] – 30s–50s, Any Gender. Latino/a/x. A respectful journalist present at Fernando Valenzuela’s funeral. Fluent in Spanish.
[Fan] – 20s–40s, Any Gender. Latino/a/x. A devoted Dodgers fan who approaches Linda at the funeral for a photo. Fluent in Spanish.
[Father Miguel] – 40s–60s, Male. Latino. A Catholic priest officiating the funeral service.
[Linda’s Mother] – 40s–50s, Female. Latina. Protective, wise, and intuitive. Appears in a flashback when Linda is making a life-altering decision. Fluent in Spanish.
SPT $380.16 weekly minimum (SPT 1)
AEA