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The production features choreography and movement direction by Ann Yee, scenic design by Tilly Grimes, costume design by Dina El-Aziz, lighting design by Bradley King, sound design by Justin Stasiw, video design by David Bengali, orchestrations by Daniel Lazour and Michael Starobin, vocal arrangements and music supervision by Madeline Benson, music direction by Mona Seyed-Bolorforosh, and voice and text coaching by Xavier Clark.
The play comes on the heels of a broader cultural conversation about Dahl's work and the prejudice that was embedded in many of his most beloved stories.