Playbill proudly introduces My Life In The Theatre–a monthly series that celebrates Broadway’s past, and looks towards its bright and beautiful future. Each episode will serve as a career retrospective, showcasing a theatre legend who revisits momentous productions in their Broadway career, while browsing through a collection of their productions’ Playbills in a Playbill Binder.
The three-time Tony Award-winning director walks through his career from You Can't Take It With You to The Roommate.
Ahead of Yellow Face’s Broadway debut, the Tony Award-winning playwright shares the real-life origins of some of his most famous works.
See McKechnie waltz through her Broadway memories, from A Chorus Line to Wicked.
The Tony-winning director just wrapped up Purlie Victorious and he's now working on Home and Our Town.
The playwright explains the original inspiration behind some of her most beloved plays, including How I Learned to Drive, Indecent, and Mother Play.
The Tony-winning actor shares her journey from regional theatre powerhouse to one of Broadway’s best.
The Tony-winning designer of She Loves Me and Kinky Boots shares the secrets behind some of his most memorable sets.
The two-time Tony winner on Chicago, A Chorus Line, and her Broadway return in Cabaret.
The producer, press agent, and knighted lady shares backstage stories, including working with Lena Horne and Bob Fosse.
From A Chorus Line to In The Heights, the Tony Award winner reflects on 57 years of show business.
The beloved actor reflects on his impressive resume of landmark musicals.
The celebrated director-choreographer looks back on his legacy of toe-tapping musicals.
Plus, why she attributes her career success to her ability to do cartwheels.
The composer began by subbing in orchestra pits. Now she's won two Tony Awards for her musicals.
The prolific costume designer walks through his career, from his beginnings on Project Runway to how he didn't know much about Sweeney Todd before he signed on.
The three-time Tony winner looks back on his 40-year career, by flipping through the Playbills from every Broadway show he's ever done.
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