Reviews: What Are Critics Saying About Sarah Silverman's The Bedwetter?

Atlantic Theater Company's world premiere musical The Bedwetter opened Off-Broadway at the Linda Gross Theater June 7, following previews which began April 30. The recently extended run will continue through June 26.

The Bedwetter is based on comedian and Emmy winner Sarah Silverman's bestselling memoir of the same name about Sarah, a funny 10-year-old with a secret that's not so secret if you read the title. The stage adaptation features a book by Drama Desk winner Joshua Harmon and Silverman, with lyrics by Silverman and Emmy winner Adam Schlesinger, who also composed the music.

Read the reviews here.

Cititour (Brian Scott Lipton)

Did They Like It? (Ana Zambrana)

New York Post (Johnny Oleksinski)

New York Stage Review (Frank Scheck)

New York Stage Review (Steven Suskin)

New York Theatre Guide (Joe Dziemianowicz)

Observer (David Cote)

The Guardian (Alexis Soloski)

The New York Times (Jesse Green)

The Wrap (Robert Hofler)

Playbill will continue to update this list as reviews come in.

Featured in the cast are Caissie Levy (Caroline, or Change, Frozen) as Beth Ann, Tony winner Bebe Neuwirth (Chicago) as Nana, Ashley Blanchet (Waitress) as Miss New Hampshire, Rick Crom (HBO’s Divorce) as Dr. Grimm/Dr. Riley, Zoe Glick (Frozen) as Sarah, Darren Goldstein (The Little Foxes) as Donald, and Ellyn Marie Marsh (The Rose Tattoo) as Mrs. Dembo. Making Off-Broadway debuts are Charlotte MacLeod as Abby, Charlotte Elizabeth Curtis as Ally, Margot Weintraub as Amy, and Emily Zimmerman as Laura.

The company is rounded out by understudies Elizabeth Ward Land, Lauren Marcus, George Merrick, Charlie Tassone, and Annabelle Wachtel.

Lucille Lortel winner Anne Kauffman is at the helm, working alongside choreographer Byron Easley, creative consultant David Yazbek (The Band's Visit), scenic designer Laura Jellinek, costume designer Kaye Voice, lighting designer Japhy Weideman, sound designer Kai Harada, projection designer Lucy Mackinnon, music director Henry Aronson, music supervisor and coordinator Dean Sharenow, hair and wig designer Tom Watson, and production stage manager Richard A. Hodge. Orchestrations are by David Chase, dialect coaching is by Kate Wilson, and casting is by The Telsey Office's Rachel Hoffman.

Visit AtlanticTheater.org.