Old Globe
San Diego, CA
US

DESCRIPTION

AUDITION DATE

Monday, October 7, 2024

9:00 AM - 5:00 PM (P)

Lunch 12:00 PM - 1:00 PM

CONTRACT

LORT Non-Rep

$1245 weekly minimum (LORT B+)

SEEKING

Equity actors for Old Globe's 2025 Season (See breakdown).

Actors of all Ethnicities, Gender Identities, and Physical Abilities are encouraged to audition.

All roles will be understudied.

PREPARATION

Please prepare EITHER - Two contrasting monologues, no more than 1-minute each (if wanting to be considered for a Shakespeare show, please choose a Shakespeare monologue as one of your pieces) OR - One monologue and 16-32 bars of a contemporary musical theatre song. An accompanist will be provided. Please bring your headshot and resume stapled together.

LOCATION

Actors' Equity Association - Los Angeles

5636 Tujunga Ave

North Hollywood, CA 91601

PERSONNEL

Expected to attend:

Associate Producer: Aleksej Aarsaether

See breakdown for production specific personnel.

OTHER DATES

See breakdown for production specific dates.

OTHER

www.theoldglobe.org

Any questions can be directed to:

[email protected].

EPA Procedures are in effect for this audition.

An Equity Monitor will be provided.

Equity’s contracts prohibit discrimination.

Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.

Always bring your Equity Membership card to auditions.

BREAKDOWN

Old Globe 2025 Season

APPROPRIATE by Branden Jacob-Jenkins

Directed by Steve Broadnax III

Donald and Darlene Shiley Stage, Conrad Prebys Theatre Center

12/30/24 - First Reh

1/21/25 - First Tech

1/25/25 - First Preview

1/30/25 - Opening

2/23/25 - Closing

SEEKING:

ANTOINETTE “TONI” LAFAYETTE: the oldest sibling, white, late 40s/early 50s

RHYS THURSTON: her son, late teens

BEAUREGARDE “BO” LAFAYETTE: the middle sibling, white, late 40s/early 50s

RACHAEL KRAMER-LAFAYETTE: his wife, white, late 40s

CASSIDY “CASSIE” KRAMER-LAFAYETTE: their older child, white, early teens

FRANCOIS “FRANZ/FRANK” LAFAYETTE: the youngest sibling, white, late 30s/early 40s

RIVER RAYNER: his fiancee, white, early 20s but looks younger

EMPTY RIDE by Keiko Green

Directed by Sivan Battat

Sheryl and Harvey White Theatre, Conrad Prebys Theatre Center

1/14/25 - First Reh

2/4/25 - First Tech

2/8/25 - First Preview

2/13/25 - Opening

3/2/25 - Closing

3/9/25 - Possible Extension

SEEKING:

KISA: 28, female, Japanese. A hard-working independent thinker, who has put aside her own dreams to return to her hometown and take care of her ailing father. She has now taken over her Dad’s taxi to pay for his medical bills.

TORU: 28, male, Japanese. Toru sticks out in this conservative town for his bright patterned clothes, gold rings, and watches. He takes a backseat in the real estate agency he runs with his older sister. Deep inside his ridiculous demeanor is a big, warm heart. Kisa’s childhood (boy)friend.

PAPA: 50s, male, Japanese. Kisa’s Dad. Papa’s health has gone downhill after his wife’s death two years ago, and no one can pin-point what’s wrong with him. He loves his daughter Kisa dearly, but he would be happy to join his wife in the afterlife. An ex-tax driver. Doubles as JIRO, one of Kisa’s Uncle- figures, stern and OBACHAN 2, a gossipy older woman and TAXI DRIVER.

SACHIKO: 40s, female, Japanese. Toru’s sister. A shrewd businesswoman. Due to an age difference, she bullies her brother around quite a bit, but she loves him. Sachiko is unlike the town’s other conservative women, with big gold jewlery and bright lipstick. Doubles as OBACHAN 1, a gossipy older woman and WOMAN, a mysterious passenger and EMI, Kisa’s art frenemy and TOURIST 1 and TOURIST 3.

ALEX: 30s, male, White, American. An English teacher, who has found an unexpected quiet spot in a small town in Japan. Doubles as NICHOLAS, TOURIST 2, TOURIST 4, FIGURE OF A MAN, BARKEEP and RADIO VOICE.

REGENCY GIRLS book by Gabrielle Allan & Jennifer Crittenden, music/lyrics by Curtis Moore &

Amanda Green

Directed by Josh Rhodes

Donald and Darlene Shiley Stage, Conrad Prebys Theatre Center

2/18/25 - First Reh

3/22/25 - First Tech

4/2/25 - First Preview

4/10/25 - Opening

5/4/25 - Closing

5/11/25 - Possible Extension

SEEKING:

ELINOR BENTON: (is in her 20s) Mezzo belt. Upper class British accent. A feisty, smart and progressive young woman. Her wit, independent spirit and desire to do something of real use in her life are in conflict with society’s expectations of a 19th century woman. When she finds herself unwed and pregnant, it is a potential tragedy, and she must find a way to save herself and her family. She’s our heroine and our emotional center.

DABNEY: (is in her 20s-early 30s) Mezzo belt. Working class British accent. Elinor’s maid and confidante. She is loyal, smart, witty, and resourceful. She possesses a clear-eyed view of the world and its workings and is used to being overlooked and under-estimated. She has secret “female trouble” of her own and, given her lowly station, her situation is even more desperate.

JANE BENTON: (is in her 20s) Soprano belt. Upper class British accent. Elinor’s beautiful, naïve and complacent younger sister. Her highest ambition is to marry well and be a Lady of Means. She learns she is not as delicate as she thinks.

PETUNIA: (is in her 30s) Contralto. Upper class British accent. Elinor and Jane’s dear friend and neighbor. Mother of eight or nine children, she’s not sure, but too many for her. She’s earthy, bawdy and always up for a good time—of which there are too few.

STANTON: (is in his 20s-30s) Baritone with upper range. Upper class British accent. Elinor’s fiancé. A sweet Mr. Darcy type who loves Elinor for exactly who she is and shares a similar world view. He naturally abides by social convention but is introspective and open to enlightenment.

DINGLEY/ GALLOPING DICK: DINGLEY (is in his 20s-30s) Baritone. Extreme upper class British accent. Jane’s fiancé. A wealthy industrialist and terrible snob, with a very high opinion of himself, certain that the world revolves around him and his needs. Despite some truly unethical choices, he’s convinced that his motives are always pure and well meaning. GALLOPING DICK (is in his 20s-30s) Upper class British accent. A charming and handsome rogue who roams the forest stealing from the rich and giving to the poor. Confident that his reputation precedes him, but it doesn’t.

LADY CATHERINE D’UN OEUF: (is in her 40s-60s) Contralto. Upper class British accent. Stanton’s Aunt. Rigid, elitist and used to getting her way. Blindsided by the news her nephew, Stanton, is marrying Elinor, therefore entitling Lady Catherine’s estate to Eleanor instead of lady Catherine’s own daughters. She is determined to do anything to stop the wedding and retain her hold on the family fortune.

MADAME RESTELL: (is in her 40s-60s) Mezzo. Working class British accent. Based partially on a real-life notorious and wildly successful midwife who advertised and practiced in America in 1830s, known as and was known as The Wickedest Woman in New York. She is street smart, pragmatic, hardworking, resourceful, good-natured and brisk. Gimlet-eyed about the injustices in society. Passionate about her cause, refuses to be intimidated, and is willing to break the law for what she believes is the greater good.

SCUTTER: (is in his 20s-early 30s) Tenor. Working class British accent. Trans. The Benton’s loyal and stalwart stable boy, who we later discover is transgender. Clever and funny, but only shows it when he’s with Dabney, on whom he has a secret crush.

EARL OF LENWICH: (is in his 40s-60s) Baritone. Upper class British accent. Portly, pompous, hypocritical—fond of Petunia, Hot Luncheon Meats and Power. The Chancellor of Morality, he wields great power in London society – and is willing to wield it for the highest bidder.

GERTRUDE & GRETCHEN: (are in their 30s) Contralto. Featured Ensemble Roles-Upper class British accent. Both played by the same actress. Lady Catherine’s quite grown and possibly feral spinster daughters. Looking for love and approval from their mother. Neither seems likely. Lady Catherine can never tell the difference between the two, and neither can we. Doubles as MRS. BENTON, NOBLE SEX WORKER et al.

ENSEMBLE MEMBERS: All are funny; great singers, good movers, and capable of playing a variety of characters.

HOUSE OF INDIA by Deepak Kumar

Directed by Zi Alikhan

Sheryl and Harvey White Theatre, Conrad Prebys Theatre Center

4/15/25 - First Reh

5/6/25 - First Tech

5/10/25 - First Preview

5/15/25 - Opening

6/1/25 - Closing

6/8/25 - Possible Extension

SEEKING:

ANANYA: female, runs “House of India.” Vikram and Vaidehi’s mother. South Asian, late 50s/early 60s. Speaks with a light Indian accent but is fluent in American english. She’s been in the US for almost 35 years.

VAIDEHI: female, South Asian, mid-late 20s.

VIKRAM: male, South Asian, early 30s.

JACOB: male, Thai, mid-late 20s.

ONE OF THE GOOD ONES by Gloria Calderón Kellett

Directed by Kimberly Senior

Donald and Darlene Shiley Stage, Conrad Prebys Theatre Center

4/29/25 - First Reh

5/20/25 - First Tech

5/24/25 - First Preview

5/29/25 - Opening

6/22/25 - Closing

SEEKING:

ILANA, 50+ Latina, a successful businesswoman.

LATINO MAN, Any age (multiple parts)

YOLI, 21, Latina, student, Ilana and Enrique's daughter.

ENRIQUE, 50+, Latino, a successful businessman.

MARCOS, 21, White, student. Yoli's boyfriend.

ALL’S WELL THAT ENDS WELL by William Shakespeare

Directed by TBD

Lowell Davies Festival Theatre

5/1/25 – First Reh

6/3/25 – First Tech

6/8/25 – First Preview

6/14/25 – Opening

7/6/25 – Closing

7/13/25 - Possible Extension

SEEKING:

HELEN, a gentlewoman of Rossillion

BERTRAM, Count of Rossillion

COUNTESS OF ROSSILLION, Bertram’s mother

STEWARD

FOOL

PAGE

PAROLLES, companion to Bertram

KING OF FRANCE

LAFEW, a French Lord

FIRST LORD

SECOND LORD

FIRST GENTLEMAN

SECOND GENTLEMAN

GENTLEMAN, a “gentle Astringer”

FIRST SOLDIER, interpreter

THE DUKE OF FLORENCE

A WIDOW OF FLORENCE

DIANA, the Widow’s daughter

MARIANA, the Widow’s neighbor

THE JANIEAD by Anna Ziegler

Directed by Tyne Rafaeli

Sheryl and Harvey White Theatre, Conrad Prebys Theatre Center

5/28/25 - First Reh

6/17/25 - First Tech

6/21/25 - First Preview

6/26/25 - Opening

7/13/25 - Closing

7/20/25 - Possible Extension

SEEKING:

JANE: a woman who got stuck

PENELOPE: a shapeshifter, who plays many characters

GABE: a man in midlife, who died far too young

TBD

Directed by TBD

Donald and Darlene Shiley Stage, Conrad Prebys Theatre Center

6/3/25 - First Reh

7/1/25 - First Tech

7/5/25 - First Preview

7/10/25 - Opening

8/3/25 - Closing

8/10/25 - Possible Extension

CHARACTER BREAKDOWN TBD

This production will be auditioned at a later date.

COMEDY OF ERRORS by William Shakespeare

Directed by James Vásquez

Lowell Davies Festival Theatre

6/19/25 - First Reh

7/22/25 - First Tech

7/27/25 - First Preview

8/2/25 - Opening

8/24/25 - Closing

8/31/25 - Possible Extension

SEEKING:

EGEON, a merchant from Syracuse

SOLINUS, Duke of Ephesus

ANTIPHOLUS OF SYRACUSE, a traveler in search of his mother and his brother

DROMIO OF SYRACUSE, Anthipholus of Syracuse’s servant

FIRST MERCHANT, a citizen of Ephesus

ANTIPHOLUS OF EPHESUS, a citizen of Ephesus

DROMIO OF EPHESUS, Antipholus of Ephesus’s servant

ADRIANA, Antipholus of Ephesus’s wife

LUCIANA, Adriana’s sister

LUCE (also called Nell), kitchen maid betrothed to Dromio of Ephesus

MESSENGER, servant to Antipholus of Ephesus and Adriana

ANGELO, an Ephesian goldsmith

SECOND MERCHANT, a citizen of Ephesus to whom Angelo owes money

BALTHASAR, an Ephesian merchant invited to dinner by Antipholus of Ephesus

COURTESAN, hostess of Antipholus of Ephesis at dinner

DR. PINCH, a school master, engaged as an exorcist

OFFICER (also called Jailer), an Ephesian law officer

LADY ABBESS (also called Emilia), head of a priory in Ephesus

DECEIVED (GASLIGHT) a new adaptation by Johnna Wright & Patty Jamieson

Directed by Delicia Turner Sonneberg

Sheryl and Harvey White Theatre, Conrad Prebys Theatre Center

7/15/25 - First Reh

8/5/25 - First Tech

8/9/25 - First Preview

8/14/25 - Opening

8/31/25 - Closing

9/14/25 - Possible Extension

SEEKING:

BELLA: a young married woman, about 25, with possibly a nervous disposition. Bella loves and trusts her husband, and only begins to doubt his sincerity when circumstances force her to do so. As the story progresses, she must accept a new reality and find a strength-and-cunning she didn’t know she had.

JACK: her husband, 35-40, debonair and charming. Jack is the most loving, sympathetic, and supportive partner he could possibly be, or so it seems for most of the play.

ELIZABETH: the housekeeper, 50s-60s, hard of hearing. A lifetime “in service” has taught her to remain as dutiful and discreet as possible, and to keep her opinions to herself except in extreme circumstances.

NANCY: the young housemaid, her eye on the main chance. Smart and perceptive, she thinks she sees an opportunity to outsmart everyone.

HUZZAH! by Laurence O’Keefe and Nell Benjamin

Directed by Annie Tippe

Donald and Darlene Shiley Stage, Conrad Prebys Theatre Center

8/1/25 - First Reh

9/2/25 - First Tech

9/13/25 - First Preview

9/25/25 - Opening

10/19/25 - Closing

SEEKING:

GWEN MIRANDOLA: late 20s/early 30s, Sober, practical, sharp as hell. The Liz Lemon of the Kingsbridge Faire. Has kept her distance from her dad’s Faire for years by running the Faire's payroll and taxes from her real-world job in insurance; but agrees to return to save her fuzzy-headed father’s life’s work, because beneath her dry and skeptical armor she aches to sing and swing a sword and believe in fantasies again. Loves her sister and fights with her furiously. High belt (up to F or F#) with unique tone; wide vocal and emotional range.

SIR ROLAND PROWD: 33-40-ish, The perfect knight. A true believer and Faire lifer. Lives every day as a knight of the Tudor court. Never gives his real name; must be paid in gold. Despises all technology. Lives in a tent he calls his “pavilion.” Unparalleled at swordsmanship, jousting, melee, gallantry, seducing, and ugly rabblerousing demagoguery. Hates modernity and longs to remake the world as his personal kingdom (or game preserve). Utterly confident, devastatingly charming, monstrously selfish and ready to drag us all back to the past. Heroic baritone/tenor with masculine tone, belt to G or Ab preferable.

KATE MIRANDOLA: 20s, Gwen’s younger sister. Romantic and impulsive but could never actually live in the past without WiFi. Has always been a princess of the Faire but has never had any real power. Is seen as flaky and dreamy in contrast to Gwen, but later is revealed to have taken on a lot of responsibility with no credit. Fears she’s the “Fredo”, but genuinely dedicated to this magical place. Loves and envies her sister. Holds grudges. No filter. Belt to E or higher.

GARETH: late 20s or 30s, Gwen’s childhood best friend. Now a local lawyer representing the Mirandola family and their Faire. Carries torch for Gwen since they kissed at the age of 15, right before Gwen fled. More amiable than ambitious; prone to taking directions but a decent guy. Wants to be a hero. Baritone/tenor, belt to G if preferable w/ lyrical tone too.

JOHNNY MIRANDOLA: 55-65, Creator and owner of the Kingsbridge Faire. An enthusiastic and extravagant dreamer with terrible follow through and no organizational skills. For decades he’s relied on his family -- first his wife, then his daughters -- to clean up his messes. Comes across as robust, jolly and authoritative but hides a secret. Bass/baritone, belt to high F# preferable.

ANNE BONNY THE PIRATE QUEEN: 45-50, Pirate Queen. A co-founder of the Faire. Runs the R-rated, family-unfriendly Pirate District, the sketchiest, raunchiest and most profitable part of the Faire. Unflappable, rocking a dominatrix vibe and teaches middle school in real life. Darkly amused feminist, regal, unapologetically sexual and unafraid of trouble, she's loyal and principled and has a no-tolerance policy for bullies. Iron-lunged belt to high F preferable.

WAYLAND SMITH: 45-60+, but magical -- if younger, should be weathered. If older, made of iron. Either way, a former warrior who has lost none of his power or skill. An enigmatic (and possibly ageless) blacksmith. Speaks in quiet, cryptic phrases. Everyone thinks he’s a nut, who came back from Iraq a bit touched in the head. May actually be an immortal being thousands of years old who’s witnessed every war in history. Humble but clear-sighted. Loves justice, hates tyranny. Makes beautiful swords, some of which may be magic. Bass/baritone, belt to high F.

SIR JOHN THOMAS MORNINGWOOD: 40-55, Swordsman and unofficial leader of the Lords Of Misrule, the Faire’s headlining swashbuckling comedy team. Genial, cheerful. In real life a divorced dad with two Nissan dealerships, every summer he becomes a local star, a paragon of chivalry and a sexual adventurer. Gallant and oddly sexy. Admires Roland’s dedication to historical accuracy, but too kind not to eventually realize his mistake. Heroic tenor (belt to A).

JUAN DIEGO SANTIAGO DE FUENSALIDA: 28-45, Swordsman, one of the Lords Of Misrule. Preferably Iberian or Mediterranean. Genial but aristocratic with a pronounced Castilian lisp. Falls under Roland’s spell a bit too easily. In the real world he’s a speech therapist; every summer becomes a local star, a paragon of chivalry and a sexual adventurer. Baritone/tenor (belt to G).

INIGO JOHNSON: 30-40, Swordsman, one of the Lords Of Misrule. A hypercompetent jack of all trades (calligraphy, notary, DJ’ing, ordained minister). As a person of color, keenly aware of the ironies of loving a Faire celebrating a historical era underpinned by white colonialism; but nerds love what they love. Of the three Lords he’s the most resistant to falling under Roland’s spell. In the real world works in IT; every summer becomes a local star, a paragon of chivalry and a sexual adventurer. Bass/baritone (belt to F#).

THE LADY EVE: 50-60, A designer of gorgeous medieval gowns; the first (and best) crafter at this Faire. Rightly proud of her talent. Strongly countercultural, intersectional feminist and politically aware. Funny and cranky; a granola Melissa McCarthy; a younger, female Bernie Sanders. Brave as hell: she chose this life when it was unthinkable and is ready to fight for it. The artisans who build, weave, forge and sell crafts at the market think that they are the real point of the Faire (and the performers are self- indulgent window dressing). But Lady Eve understands community and justice, and rejects Roland’s regime, loudly. Alto.

LADY ALISOUN, THE HEALING NUN: 30-50, A med school graduate and trained nurse practitioner; serves as both the Faire’s medic and the local herbalist. A crafter and not a performer, so she doesn’t bother to put on the Faire’s fake-English accent. Down to earth and sensible. Has a recurring affair thing with Morningwood. Mezzo.

TROUBADOUR TIM: 35-45, Faire’s foremost minstrel/jester/juggler/herald/falconry act. Prickly and resentful. Jealous of the popularity of the Lords Of Misrule. Loves the Faire, but also covets power and respect, so becomes Sir Roland’s enabler and henchman. Has strong opinions that no one usually wants to hear, so Roland's ear is a gift. Voice: strong tenor (belt to Ab).

FEMALE ENSEMBLE 1/SAUCY PIXIE: 18-35, A flower seller / pixie who wanders the fair looking (and acting) like a Dr. Seuss-type fairy, selling roses. Saucy. Flirty. But not above giving her enemies a saucy finger. Also Ensemble, playing several roles including: Ladies of the court, fortune tellers, pirates, Morris dancers, musicians, puppeteers, Faire customers. Strong belt.

FEMALE ENSEMBLE 2/BARBARIAN SHEILDMAIDEN: 30-50s, A sexy warrior. Ensemble, playing several roles including: Ladies of the court, fortune tellers, pirates, Morris dancers, musicians, puppeteers, Faire customers. Strong belt.

FEMALE ENSEMBLE 3/WOLFWALKER: late 20-30s, A cosplay werewolf girl. Sometimes wears sci-fi cosplay instead. May play Boba Fett. Also Ensemble, playing several roles including: Ladies of the court, fortune tellers, pirates, Morris dancers, musicians, puppeteers, Faire customers. Strong belt.

MALE ENSEMBLE 1/ROSENCRANZ/POLICE OFFICER 1: 25-40, Ensemble (Morris Dancer, Police Officer, Roland’s Henchman) Also playing several roles including: Pirate servants to the Pirate Queen; human chess pieces; thief in the stocks; turkey leg hawkers; jousters; musicians, puppeteers, Faire customers. Tenor.

MALE ENSEMBLE 2/GUILDENSTERN/POLICE OFFICER 2: 30-45, Ensemble (Morris Dancer, Police Officer, Roland’s Henchman) Also playing several roles including: Pirate servants to the Pirate Queen; human chess pieces; thief in the stocks; turkey leg hawkers; jousters; musicians, puppeteers, Faire customers. Bass/baritone.

SMALL by Robert Mantano

Directed by Jessi D. Hill

Sheryl and Harvey White Theatre, Conrad Prebys Theatre Center

9/9/25 - First Reh

9/23/25 - First Tech

9/27/25 - First Preview

10/2/25 - Opening

10/19/25 - Closing

No roles available.

GLOBE FOR ALL (TBD) by William Shakespeare

Directed by TBD

Tour around San Diego and Tijuana communities

10/3/25 - First Reh

10/24/25 - First Tech

10/28/25 - First Preview

10/30/25 - Opening

11/16/25 - Closing

11/23/25 - Possible Extension

CHARACTER BREAKDOWN TBD

This production will be auditioned at a later date.

DR. SEUSS’S HOW THE GRINCH STOLE CHRISTMAS! book by Timothy Mason, music by Mel Marvin

Original production conceived and directed by Jack O’Brien

Original choreography by John DeLuca

Directed by James Vásquez

Donald and Darlene Shiley Stage, Conrad Prebys Theatre Center

10/10/25 - First Reh

10/31/25 - First Tech

11/5/25 - First Preview

11/9/25 - Opening

12/28/25 - Closing

SEEKING:

THE GRINCH (30s-50s.) A beastly, charming curmudgeon. Scary but with a heart underneath his gruff exterior. Has the size and presence of a Music Hall superstar with deft athleticism. A triple threat. A strong, booming baritone singing voice with falsetto.

YOUNG MAX (20s). The Grinch's dog, a young pup at heart. Endlessly energetic and acrobatic.

LExtremely loyal, shows great patience and humor in the face of adversity. A strong Tenor singing Voice.

OLD MAX (50s-60s) A trustworthy, benevolent narrator who is inspired by nostalgia. With his urbane elegance, long-limbed grace and gently sardonic humor, he actually reminds us of Dr. Seuss. A strong bass-baritone singing voice.

PAPA WHO (30s–early 40s) The father of the family, the calm eye of the family storm. Goodness and benevolence pour out of him. A moral example for the rest of Whoville. A strong high baritone or baritenor singing voice.

MAMA WHO (30s–early 40s) Quirky, funny, on the brink of saturation but still maintaining complete control. Until... A strong, warm soprano singing voice with chest range as well.

GRANDPA WHO (40s–50s) The eldest of the family, comically hard of hearing. Not unlike Grandpa Simpson. A strong character baritone singing voice.

GRANDMA WHO (40s–50s) Loving, has the ear of the children and the patience to calm them. A

strong character mezzo singing voice.

ADULT ENSEMBLE (6 actors, 20s–40s). Seeking different types and vivid personalities. The more

physically versatile the better. Strong singing voices of all types.

SCROOGE’S BIG SAN DIEGO CHRISTMAS SHOW

Directed by Gordon Greenberg

Sheryl and Harvey White Theatre, Conrad Prebys Theatre Center

11/4/25 - First Reh

11/18/25 - First Tech

11/21/25 - First Preview

11/25/25 - Opening

12/28/25 - Closing

SEEKING:

TRACK ONE (young male): Fred, Leader of the Palo Altos, Young Scrooge, Medium Scrooge, Tiny Tim puppet, Ghost of Xmas Future, Isaac.

TRACK TWO (younger female): Prudence, Palo Alto, Archibald (Team Captain), Lavinia, Ghost of Xmas Present, Ghost of Xmas Future, Elaine, Boy.

TRACK THREE (medium female): Gertrude, Palo Alto, Ghost of Xmas Past, Lady Marmalahd, Mrs. Cratchit, Jennie, Ghost of Xmas Future.

TRACK FOUR (medium male): Cratchit, Palo Alto, Marley, Charles, Fezzi, Porter, Jack/Jean, Ghost of Xmas Future.

TRACK FIVE (older male): Scrooge.

SALARY

LORT Non-Rep $1245 weekly minimum (LORT B+)

UNION

AEA