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We found 7 results for “Old Vic Trust, Ltd. (Producer)”

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Article | By Molly Higgins, Margaret Hall | January 16, 2025
Live Aid-Inspired Just for One Day Musical Announces North American Premiere and West End Casting
Luke Sheppard directs the musical featuring songs by David Bowie, The Who, Queen, Elton John, Paul McCartney, Diana Ross, and more.
Article | By Andrew Gans, Margaret Hall | September 16, 2024
Live Aid-Inspired Musical Just for One Day Will Transfer to London's West End
Luke Sheppard directs the musical featuring songs by David Bowie, The Who, Queen, Elton John, Paul McCartney, Diana Ross, and more.
Article | By Margaret Hall | January 3, 2024
Photos and Video: Get a Look at Live Aid–Inspired Musical Just for One Day in Rehearsal
The London musical will feature songs by David Bowie, The Who, Queen, The Police, Elton John, Paul McCartney, Diana Ross, and more.
Article | By Margaret Hall | December 6, 2023
Live Aid–Inspired Musical Just for One Day Announces Additional Casting
The musical will feature songs by David Bowie, The Who, Queen, The Police, Elton John, Paul McCartney, Diana Ross, and more.
Article | By Margaret Hall | October 2, 2023
Live Aid–Inspired Musical Just For One Day Will Play London's Old Vic
The musical will feature songs by David Bowie, The Who, Queen, The Police, Elton John, Paul McCartney, Diana Ross, and more.
Article | By Mark Shenton | July 9, 2015
What's Hot In London: July 8: Cameron Mackintosh Plans New Initiative For Ambassadors Theatre, Plus Returns For Constellations
Some of the best theatre, in London as in New York, happens in the smallest spaces, like the Donmar Warehouse, Almeida, Young Vic, Southwark Playhouse and Finborough Theatres — not all of them with conventional proscenium arch lay-outs, and often reconfigured on a show-by-show basis.
Article | By Mark Shenton | July 8, 2015
What's Hot in London: July 8: Cameron Mackintosh Plans to Re-Name Ambassadors for Stephen Sondheim, Plus a London Return for Constellations and Transfer of What's It All About?
Some of the best theatre, in London as in New York, happens in the smallest spaces, like the Donmar Warehouse, Almeida, Young Vic, Southwark Playhouse and Finborough Theatres — not all of them with conventional proscenium arch lay-outs, and often reconfigured on a show-by-show basis. And with the logjam on West End theatres, in any case, where over half of the 40 or so houses situated there given over to long runners of a year or more, there's nowhere for many shows to go for a further life after their initial seasons end.

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